Vassar Student Review

Vassar Student Review

Poetry

Mariah Ghant

A reflection on the painting by Eric Fischl

 

Georgia gets hotter each night.

 

I dip my toes into the creek

Out back beside his family’s barn.

We walk side-by-side

Not minding the mosquitoes and

The dirt caking around our ankles.

 

I dwell on his drawl

That manages to sound thicker

Than any boy I have ever spoken to.

He teaches me how to use crickets to tell the temperature.

We sit silently, counting their chirps,

Searching for answers.

 

I watch him climb the stairs to his attic,

One ladder rung at a time

Checking down to make sure

I am still behind him.

Still following.

 

He turns on the TV,

A relic that he cherishes—

more than baseball and Lemonheads—

All five channels and endless amounts of static it produces.

 

“I’ve only listened to a radio.

My momma won’t buy a TV.

She thinks it’ll spoil me.”

He laughs at me and pokes my sides. 

 

We make forts with our sheets and our bodies and quickly destroy them.

He turns back to the TV, eventually.

 

/\/\/\/\/\/\/\/\   

 

He has a long scar—

I notice it as he undresses,

But he only seems to notice the television—

It runs down the back of his thin left thigh.

 

The shadows of us two in here

Looking bigger and closer

Than we really are,

They are beginning to play tricks on me.

 

Naked but for my underwear,

I curl into my sleeping bag as

The TV continues to crackle.

But he doesn’t seem to notice.

 

 

I start to count the crickets’ chirps,

Curious of the hot Georgia night

Seeping in though his window.

One, two, three, four,,,,

Sarah King

mallowmars

a mouth opens

for

mallow

marscookie and

sticky

stuck

marshmallow

filling her

mouth open

and closed

for sweetness

and conflicted

crunchy soft

 

too late to 

wonder

but I am

as I look at you

at us

sitting on this

stoop

too much

in the mouth

and the mind

to speak

 

and

I opened my

mouth

to marshmallow

fluff but

instead heard

some words come

out as I looked

at you

at us

I can’t see us

can you?

 

I feel so lonely

when I go to sleep

I think I 

yearn

but despise

my acceptance

of it

that sleep

you love

to sleep,

it is 

rest

 

I want to 

wander

on this stoop

forever

if I go to bed

my thoughts

will wake up

too clear and defined

I want to 

wander

with my mouth

full

of marshmallow

ponderings

next to your

smeared mascara—

 

You started weeping

it often happens at this

point in the night

or the morning

when the movement

of the day

slows

to

a

stoop

,

and we sit here

wandering

cigarettes smoked

liquor lost

to the blood

and mind

 

you started weeping

I realized

it may have been something

I said

 

I hate

sleep

I love

eyes open

I fear my eyes

closed 

at myself 

you love 

sleep

you are exhausted

from looking

at yourself

 

whereas I

adore it

 

I love awakeness 

for the dark

is not—

you love sleep

for the dark

is—

I love for the dark—

You love for the dark—

 

perhaps we

love

the same thing:

but we love it differently

 

the mallowmar

still fills

your mouth

though we 

stopped

eating long ago

at least

I think

that’s why

you’re not speaking—

 

we love 

for fear

of our faces

 

I love for fear

of waking

alone 

with my clear

thoughts

of thinking

I love for the love

of staying 

awake

to hear you cry and speak

to me of

 

your love for fear

of cognizance

of wandering thoughts

that lead you alone

in your body

that leave me alone

in mine

you love for the love

of free

rest where there is no 

obligation

where there is nothing

 

what about the chocolate

coating?

it crackles when my

mouth tastes it

when my mouth

tastes

the thought

it crackles

loud

enough

for us both

to hear

 

I love for fear

of not loving

myself

I think you do too

 

though you want 

to drink yourself

into wandering

sleep

and

I want 

to eat myself

awake

 

to taste, absorb

and feel—

 

otherwise I get so 

numb sometimes

without the 

crunch of the 

cookies

saliva and sticky

mallllow

in between my 

lips—

 

I cannot make myself 

feel

I love you for fear

that I cannot make myself

feel—

you remember to touch

my shoulder

you know that I forget

if I’m real sometimes

 

you love the freedom

from that touch perhaps 

you love

not being

real

 

I think I’ll

put you to bed now

so your staring

wanders

into realness

can stop

for a time

 

you know me

after you sleep

I’ll sit out

on the stoop

for a while

longer

afraid of my bed,

bite a mallow

mar

and throw the rest away

now too 

afraid

of the echoes of

myself

of my need to fear

 

I love for fear of this moment

on the stoop

when I don’t know where 

else to go

 

I envy your love of 

being lost

 

do you envy me too?

 

tomorrow night

maybe you’ll

go to bed with 

someone

who can 

get lost somewhere too

 

I’ll be on the stoop

too awake

to let someone

lead me to my bed

to anywhere

I’ll be here

loving 

my awareness

fearing a fate

of fantasy

 

I should submit myself

to the morning

awakeness

Awareness I will fear after

falling into 

the sleep I 

fear

the wandering I 

fear

too much

 

we love

for fear

of our faces.

 

sometimes I wish

I could love like

you do

we don’t 

love

that differently

do we?

Maria Bell

When softening earth gives up its icy shell

Before spring buds blot out the soil,

I can count the graves below my window. 

The smooth unmarked stones sink 

further with every passing season

into indifferent dirt.

 Scattered, patternless—so it seems.

 

My small hands plunged into hollows,

Filled them them up with feathered corpses,

Weightless bundles of bones and matted down.

I learned to winnow life down to its rock

Marker, sixteen of them, to be exact.

 

A girl I once knew named all her stuffed animals.

Each one in the pile beside her bed

Possessed an identity that could not be forgotten.

In the yard next door, I named the chickens—

 

Monte Cristo, quiet roster with silver streaks

And an iridescent tail;

Siny, fighting tireless battles with shoes;

Heather, perched on shoulders, beak shoved

Into your hair.

 

I scorned the neighbor girl’s stuffed animals.

For all her naming and make-believe,

They were not living, breathing beings

Who scratched in the dirt, ate from your palm.

Yet something that never breathed can’t stop;

Only the imaginary lacks an expiration date.

 

Someone forgot to tell me

Living doesn’t last.

 

The neighbor girl never screamed at hawks,

Held a peeping chick with a leg split in two.

Never crawled under sheds to unearth

Small, careworn bodies,

Or followed a trail of blood-stained feathers.

Never listened to rattling breath sputter to silence.

Never picked up fragments of egg shell

With a wet, still, body curled up inside,

Dead before it lived.

 

A year ago

I found the neighbor girl’s stuffed animals

In a box beside her driveway.

I held a plush purple elephant in my hands

And wondered how it felt

To choose what is lost.

 

Fading evening light gleams through trees,

Glides through fence slats,

And dances on sixteen stones.

In the center of the garden amid the hydrangeas,

I kneel in the dirt, plunge my hands into the earth,

And dig another hole.

Cameron Saltzman

Every dermatologist’s office is trying to sell you Botox.

They promise you “healthy, glowing skin!”

and overpriced product packages.

The lady checks you in asking for your name and date of birth

in a voice so quiet you have to press your face to the glass.

Click space click click click

the computer makes that noise.

She tells me to take a seat.

I sit in a plastic chair.

I wonder if there’s a store that sells this same chair to all dermatologists.

I hope so.

Everyone around me is reading the paper and 70 years my senior.

Is good skin only for the dying?

There is a television in front of me

flashing ads for what you should do and buy

and warnings about sun and cancer and smoking

and the models are so attractive

and I sink in my seat a bit.

Maybe if I lived in this waiting room I’d have no scars

and my skin would glow so brilliantly

that people would be afraid to look at me.

I’m taken to a closet sized office where I’ve been waiting for 10 minutes now.

It’s always like that.

Maybe the suspense makes you think you’re getting what you’re paying for.

Looming to my right are four cursive certificates in gold frames

assuring me that I made the right choice in being here.

They are stacked one on top of another

all the frames are slightly different.

They all look like my high school diploma.

Maybe Dr. Rockoff will come in soon to do whatever he’s supposed to.

Maybe he won’t.

Maybe I’ll try to open the door and it’ll be locked and I’ll have to live in this skincare prison cell

surviving off Premium Hand Sanitizer with Aloe and Bacteriostatic .9% Sodium Chloride

as my skin grows indefinitely worse and I die under fluorescent lights.

I can hear him talking to a patient in the other room.

She has really stubborn acne and pimples on her ass.

Naima Saini

Someone else is turning 22 today. I think of you

on top of the monkey bars after we saw that movie in Davis.

I dream you come to visit and I make you a G&T

with light pink syrup. I dream you into a murder mystery

where the mystery is who’s dead and every time I

forget that it’s you for long enough you come back

for a while and I can talk to you. Tonight I’m thinking

of your beautiful cat who died five years ago. Someone says

the stages of grief weren’t ever actually meant to be

about anyone other than yourself. In the winter,

every morning triples the impending length of the day,

and I wonder how you would feel about it. In the spring—

 

I don’t know yet, actually. In the doorway, someone’s cigarette

threatens to ruin my slice of the birthday cake. I used to hate

how food tastes when someone nearby is smoking. But

I used to make an exception for you, and without you,

I keep making it. Would you find that stupid?

I’m not scared of driving on the highway anymore

but I don’t have any reason to go to Natick anymore.

When I am the last one awake, I think of the walk to your house

from Domino’s the night of my eighteenth birthday.

Everyone else had gone home, but we were always meandering,

and you were an eternal night owl, never rushing me to go.

You told me you had always suspected something wrong…

It turned into summer. Longer days. Never mind.

 

When you tried to cut bread straight from the freezer, ending up

with stitches, I did all your dishes because I wanted to believe

I could help. The truth was, we were older, and I kept

rushing away. But it was nice enough to eat on the porch,

which did not hold the same version of darkness

as that house did. You came to the bookstore, and listened

to my recommendations. You read my writing and said

kind things. I went back to school and it became September,

and after turning 22, you left immediately. But everyone else

just kept turning 22, one after another. I didn’t want it

to be my turn. But we all just kept having to get older

anyway.

Grace Fox

i never know where to put my knees.

i don’t know i think my thighs have too much gravity whenever i try to lean 

a shin against something all i do is push one of us away.

 

i don’t know where to put my arms,

when we lie in bed i remember having to ask you, to tell you

i really have no spatial awareness 

you have to tell me where to put myself

that’s why i always ask

and i remember writing a poem or really just a line

i deserve to take up space

something i would love to internalize

 

but it’s hard when every time i breathe i remember the

two small turkeys strapped to my chest

i remember how funny i found it when we read that

now it’s just a less trans excuse to chop off my breasts 

and maybe then i’ll fit

queer enough queer enough am i queer enough yet

 

when i was younger i used to fall asleep by picturing assembly line bodies

all the different ways i could be put together all the ways i could be taken apart and

unbroken, fixed, made to fit

and the idea that i was young enough to still become something people want

was so peaceful.

what a way to drift into dreaming.

 

it’s too late now, i think, i’ve been in the factory too long

i’m wondering if i was discarded half done

like they looked at me and i was too stubborn couldn’t melt the metal of my arms

into the shapes they wanted, tossed me into the heap,

i think this one’s a dud

no one told me what to do when there’s all this want and nowhere to put it

so often i feel my heart reach past my chest,

but that’s just it, isn’t it? i’ve got my very own cage

to keep it locked in.

break my ribs, let me out –

what a cage i keep myself in.

Paige Glover

Three limbs of casing–a door with worn hinges,

One threshold marks the entrance to interiors unknown,

Beyond the way he stands,

Called upright, timid and lanky,

Brother I have come to barely recognize.

Distance stretches him into a man

And I wish to speak to these maturing agents:

Stop doing what it is you do!

 

I wish to see his growth,

Like a day-to-day vigilante.

That is the position of Mother,

Watchful, I so envy.

She tends to a urine-soaked bed

From a dog who cannot help himself,

Faculties loosened with age,

His tumors limit daily commotion (urine makes restitution)

 

A blotch, self-adducing and hard to miss,

Grows amid a differentiating eye.

As texture and feel give rise to realization,

Brother folds his arms and steps backward,

Fear to the fore,

His mind sublimates to one fervent need

For hot water on skin–

A quick rinse, he promises.

 

But his promises are unfaithful;

Mother sings as she strips the bed,

Duvet gone, thinning one sheet at a time.

The night offers no assuage to the laboring woman

Who submits to solutions before submitting to sleep.

It is in her character, some inner will,

That gives and gives,

Changes and cleans.

 

Our dog has the power to walk between worlds,

With quiet feet and a bowed head he moves

In shameful stride

From one blue-walled bedroom to the next.

In Brother’s he pees,

In mine he watches,

And I’m too left to wonder,

Who really lives across the way,

Beyond piled clothes and Clorox wipes?

 

That must be the beauty of a teenage boy–

Bare walls, messy beds,

And a crippling fear of the unknown.

What goes on inside his head?

My glimpses are few and far between,

Restricted to aberrant moments

In which I hear the inner voice

As he confronts a dampened spot.

 

He rambles–first on the mattress,

Then the impotence of antibacterial wipes.

It is a true mystery

How the mind fashions these narratives,

Penetrable only by trust. 

Mother appeals to logic 

Yet the aired-out mattress 

Is of no consolation– he chooses to rest elsewhere. 

 

Asleep, on the couch? 

All has failed against a willful mind; 

He succumbs to his vices, 

One blanket ‘round the shoulder, 

Pillow in hand, his defeated feet make descent

Down wooden stairs that creak 

From within my room–me to you,

I can hear everything.



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